Going a step further, as is the Albion Solstice way, each synth was doubled in the recording or physically doubled (as in, two Lyra 8s, two Juno 6s) for a widescreen stereo effect. Vintage and modern instruments are represented, including the SOMA Lyra 8, Roland Juno 6, Jupiter 4, and Jupiter 6, Korg MS-20, Moog Prodigy and so many more. The Visitor-an easter egg in a library of easter eggs-is an inspired group created with 100 different synthesizer sounds from Christian’s vast collection. How would these instruments sound if the folk players of the past recorded to cassette via stompboxes? How would they have communicated their explorations of sound? Supporting this is the Eurorack modular and cassette communities, modern-day equivalents of oral traditions of the past, centered on the sharing of ideas, passing from person to person through modern communication channels on the internet, creating a new shared musical tradition and language. Throughout the game, Briar and Lute will discover the truth about themselves and their power but must work together to stay true to their unbreakable bond.An imagined history is the inspiration for The Cassette Orchestra. Use Lute’s auras to weaken or expose them and adapt to a flow of battle that never feels the same. Wraiths, Corrupted and Possessed have trespassed into the world from beyond the Veil. Plunge into a dark story of sisterly love heightened by stylish and sleek art inspired by Japanese dark fantasy classics. A Tear in the Sky has opened above Ilden as Briar and Lute get closer to it, their surroundings become more menacing and twisted. Weapons are unlocked and upgraded throughout the game and can be switched even in the middle of a combo to deal greater damage to opponents.ĭiscover puzzles and secrets in diverse locations within a troubled city in ruins. Combine their strengths to unlock powerful transformations and fulfill their true potential as a Chimera. Briar masters melee attacks and combos, while Lute controls the battlefield with her otherworldly abilities.
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